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The Hague, Netherlands — The Netherlands’ national museum has a new object on display that merges art with Amsterdam’s infamous Red Light District: a nearly 200-year-old condom, emblazoned with erotic art.
The Rijksmuseum said in a statement that the playful prophylactic, believed to be made around 1830 from a sheep’s appendix, “depicts both the playful and the serious side of sexual health.”
It is part of an exhibition called “Safe Sex?” about 19th century sex work that opened on Tuesday.
The condom, possibly a souvenir from a brothel, is decorated with an erotic image of a nun and three clergymen.
Courtesy of the Rijksmuseum/Kelly Schenk
The phrase “This is my choice” is written along the sheath in French. According to the museum, this is a reference to the Pierre-Auguste Renoir painting “The Judgment of Paris,” which depicts the Trojan prince Paris judging a beauty contest between three goddesses.
“Acquiring the condom has enabled us to focus on 19th-century sexuality and prostitution, a subject that is underrepresented in our collection. It embodies both the lighter and darker sides of sexual health, in an era when the quest for sensual pleasure was fraught with fears of unwanted pregnancy and sexually transmitted diseases — especially syphilis,” the museum says on its website.
Courtesy of the Rijksmuseum/Kelly Schenk
The museum said it acquired the condom at an auction about six months ago with support from the F.G. Waller-Fonds, a memorial fund established in 1938 in memory of one of the Rijksmuseum’s benefactors.
The piece of sexually-themed art history was to remain on display until the end of November, the museum said.
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It’s hard to resist staring back at paintings by artist Amy Sherald, now on display at the Whitney Museum of American Art in New York. Sherald is best known for her portrait of former first lady Michelle Obama, but the exhibit gives a more complete look at her palette. “That painting is here in the show, and we’re very happy to be able to share it with visitors here,” said co-curator Rujeko Hockley. “But we really wanted to show the progression of her work as an artist.
“Amy often paints the skin tone of her subjects, who are Black people, in what we call grisaille, or gray tone,” said Hockley. “It kind of disrupts this immediate identification, perhaps even stereotyping that all of us are, you know, subject to.”
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It’s not the only way to spot a Sherald painting. Hockley said one characteristic of the artist’s work is her subjects’ body language: “Very kind of solid, confident, not over-confident, but just really certain and still in [themselves].”
The Sherald exhibition, said Hockley, is “a show that is really speaking to kind of overwhelmingly positive sense of connection, and kind of shared humanity, and kind of beauty that comes from being around one another, that comes from kind of seeing the humanity in another.”
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But if you can’t make it to New York, there are plenty of exhibits to visit this summer.
Beloved impressionist works are on display at museums in Boston and Portland, Oregon.
Museum of Modern Art/Licensed by SCALA/Art Resource, NY; Portland Art Museum, Portland, Oregon.
Major contemporary artists are featured, too, from KAWS in Bentonville, Arkansas, to Jeffrey Gibson in Los Angeles.
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And, in Cleveland, things are looking especially bright thanks to the works of Takashi Murakami … one of the many exhibits giving us reason to smile this summer.
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Story produced by Julie Kracov and Sara Kugel. Editor: George Pozderec.
OAKLAND — We don’t always get to choose the name we carry, but sometimes, if you’re lucky, you grow into it.
On a quiet morning in May, as she labored over her latest masterpiece, Theresa Fortune was finally living up to hers.
“This piece is everything about life, love and joy and opportunity and color,” Fortune said. All of those things feel especially true on this particular day, as her first major work of art was about to be unveiled.
Ten years ago, Fortune was broke, pregnant and in the dark, literally and figuratively.
“I had actually thought about taking my life at one point because I was just in this pit hole that I wasn’t able to climb out of,” she said.
The darkness kept closing in until one day she picked up a knife.
“I thought of opening up my wrists, and I realized that that would be really messy for my child to come home to,” she said.
What she didn’t know then was that she was facing postpartum depression, a condition that affects twice as many women of color, yet rarely gets talked about.
So she grabbed a camera and started telling her story — first, in a documentary called “From the Ashes,” and then in a collage called “Womban of the Earth,” which shows a Black mother mid-birth.
It was raw, honest, and it caught the eye of Dante Green, a senior vice president at Kaiser Permanente.
“It was very inspirational to me, and it’s a story we should continue to tell,” Green said, which brings us to the unveiling.
The piece is now being hung permanently at Kaiser in Oakland. A journey that started with a birth has now become a labor of love.
“To be in partnership with them, I just have more hope,” she said.
If you or your loved ones are experiencing mental health issues, call the National Suicide Prevention Lifeline by dialing 988.
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